Society of Motion Picture and Television Engineers - ST 266:2012

SD Digital Component Systems — Digital Vertical Interval Time Code

active
Buy Now
Organization: Society of Motion Picture and Television Engineers
Publication Date: 7 May 2012
Status: active
Page(s): 1 - 12
ICS Code (Audio, video and audiovisual systems in general): 33.160.01
ICS Code (Television and radio broadcasting): 33.170
ISBN (Online): 978-1-61482-696-5
DOI: 10.5594/SMPTE.ST266.2012
Standard:

This standard defines the digital data representation of the digitized values of the Digital Vertical Interval (VITC) code words defined in SMPTE ST 12-1. The intended use is with the standard... View More

Document History

ST 266:2012
May 7, 2012
SD Digital Component Systems — Digital Vertical Interval Time Code
This standard defines the digital data representation of the digitized values of the Digital Vertical Interval (VITC) code words defined in SMPTE ST 12-1. The intended use is with the standard...
ST 266:2002
January 31, 2002
For Television — 4:2:2 Digital Component Systems — Digital Vertical Interval Time Code
This standard describes the signal format of a digital vertical interval time code (D-VITC) suitable for use with the digital coding given in ANSI/SMPTE 125M (for 525-line, 59.94-Hz field rate, 4:2:2...
266-1969
March 26, 1969
IEEE Test Procedure for Evaluation of Insulation Systems for Electronics Power Transformers
The intent of this Test Procedure is to establish a uniform method by which the life of electronics transformer insulation systems can be compared. Thermal degradation is generally one of the major...

Related Documents

SMPTE ST 12-3:2016 - Time Code for High Frame Rate Signals and Formatting in the Ancillary Data Space
March 15, 2016 - Society of Motion Picture and Television Engineers

This standard specifies time code formats with the frame counts 72, 96, 100 and 120 and the frame count 120 with drop-frame compensation. This standard also specifies a transmission format for conveyance of the time code and frame count in the ancillary data space of serial digital interfaces.

RP 2076-1:2016 - Production Timing and Synchronization for Stereoscopic (S3D) or Multi-Camera Array
September 21, 2016 - Society of Motion Picture and Television Engineers

This document specifies the synchronization of two or more cameras in a Stereoscopic (S3D) or Multi-Camera Array moving image camera systems.

ST 2051:2014 - Two-Frame Marker for 48(/1.001)-Hz, 50-Hz, and 60(/1.001)-Hz Progressive Digital Video Signals on 1.5 Gb/s and 3 Gb/s Interfaces
February 20, 2014 - Society of Motion Picture and Television Engineers

This standard defines a Two-Frame Marker for progressive HDTV video formats at 48/1.001(47.95)-Hz, 48-Hz, 50-Hz, 60/1.001(59.94)-Hz, and 60-Hz frame rates. This Two-Frame Marker is multiplexed into serial streams carrying such a video format to govern the alignment of system actions such as switchin...

ST 2110-10:2017 - Professional Media Over Managed IP Networks: System Timing and Definitions
November 27, 2017 - Society of Motion Picture and Television Engineers

This family of engineering documents defines an extensible system of RTP-based essence streams referenced to a common reference clock, in a manner which specifies their timing relationships. - This standard specifies the system timing model and the requirements common to of all of the essence...

EG 7:1994 - Audio Sync Pulse for 8-mm Type S Cameras, Magnetic Audio Recorders and Rerecording Projectors
September 1, 1994 - Society of Motion Picture and Television Engineers

This guideline specifies the characteristics of the audio sync pulse for 8-mm type S cameras and film recorders and for magnetic tape recorders and audio projectors used for transfer of audio records from magnetic tape and film to a magnetic edge stripe on an 8-mm type S print.

Related Products

Searching for related products...

Related Suppliers

Searching for related suppliers...

Advertisement